Tuesday, 2 July 2013

The Local Authors and AU Examinations

It has been quite a while. Exams, you see. Blogging wasn't an option over the last month. Each time exams get over, I look back and wonder how I managed to do away with the distractions and pat myself on the back. Yeah, I just did too.
One might question the 'pat'. "Every student takes up examinations. Writing a series of examinations is not an achievement after all.” I answer, "Writing Anna University examinations is." Yes, I can hear the seniors telling me what I have seen is just the beginning.
After being put through correction antics in the first semester, it was a deliberate decision from my side to be a little more cautious this time. I had to choose the right books to learn from, the right authors.

Here is a stereotypical classification of authors.
1) Local author : Writing an Anna University examination?, get a book of hers/his.
2) Local-foreign author : A rare breed of Indian authors that exhibits traits of good foreign authors.
3) Foreign-local author : A foreign author who has taken inspiration from the ones belonging to the first category.
4) Foreign author : The ideal author. 

I had to choose books from the first category.
Who is a local author? (The definition is a product of my imagination and the 'local' has no racist intentions)
A highly qualified academic author who is better known for his expertise in training a candidate to write an examination than for his scholarly works. The 'local' refers to the author's origin in the literal sense. However, as the stereotype goes, the 'local' relates to the made up definition of a local author. Call a local author book ‘LAB’.
Books by such authors are the kind of ones most sought after right before the examination. You are most likely to hear the shopkeeper say, "Out of stock" for the popular books. These books are going to give you the 'key words' the examiner is looking for. If you were wondering how to fill pages to to make up a sixteen-mark-answer, you have the answer. The book is like a halo over your head. It is the solution to your problems.
LABs are visually distinctly identifiable. The cover of such books contains highlighted features apart from a random diagram from one of the lessons. A typical LAB contains 'salient features' such as previous years' solved question papers, two mark questions, and well highlighted notes that remind you you are only preparing for an examination and not learning. Don't be surprised to find grammatical errors and logical inconsistencies. Once you choose to read the book, train to live with it. 
Books such as these do not facilitate learning. When you spend time reading these books, you spend time trying to satisfy a person, the paper evaluator. 
The much criticized examination pattern and the unworthy-of-a-read local author books go well together. It is almost as though the intention of the author is not to make the student understand but to only show him a way to crack the examination.

What is flawed with the examination?
  • The pattern allows you to skip about a third of the entire syllabus and still get an A. That tells a lot.
  • It evidently fails to test the thinking capabilities of the student. It tests only what the student remembers and not what she/he has learnt. 
  • Questions score in ambiguity and fail in specificity. One walks out of the examination hall way too often wondering if what she/he had answered was what she/he was asked for. 
  • Specificity in one's answer is equally vital. A student goes all out and unleashes every dog when she/he is unsure of what is required of her/him. This is when students come up with exceedingly long, irrelevant answers.
LABs and AU examinations make a good combination. This is what makes the flawed system well established. The criticized but seemingly unquestioned system is severely outdated and requires a revamp. 
A change in the pattern of examination could bring about a change for the better as the examinations influence so many other factors. Most notably :
  • It could get rid of the stereotypical LABs. Local authors would start producing better books.
  • It could bring about a change from the current exam-oriented teaching style. 
  • The new pattern could be such that it judges a student by his intelligence and not by his memory.
  • A good change would silence the critics.

Preparing for an examination needn't be a burden after all. A change could well establish learning as an enjoyable experience and produce better engineers from its students. 

Tuesday, 4 June 2013

Raanjhanaa Music Review

The Mozart of Madras is in the news again for his latest album, Raanjhanaa. Raanjhanaa sees Rahman teaming up with director Anand Rai (of Tanu Weds Manu fame). The movie marks the dream debut for Dhanush in Bollywood. Sonam Kapoor plays the female lead in this movie. 
Rahman's last Hindi album, Jab Tak Hai Jaan wasn't very well received (though personally, I'm a fan). His latest album has a lot to offer in every sense. 
  
The album consists of 9 songs, 8 penned by Irshad Kamil and one instrumental.
Rahman pays tribute to Ustad Bismillah Khan with Shenai interludes in all the songs.

Raanjhanaa, the title track of the movie begins in typical Rahman style with plain vocals by renowned Ghazal singer, Jaswinder Singh. Fast paced beats and a Shenai interlude follow. Shiraz Uppal does a neat job, lending just the voice the song needs. Raanjhanaa hun tera is the phrase to hum for the fans. The fast paced song sets in a happy mood, Dhanush performs and dances like never before in the visuals. The song is perfect start to an album that has so much more to offer. Thumbs up!

The second, Banarasiya begins with a beautiful violin piece. Soon, the song takes the Classical route with Tabla beats and Veena / Flute interludes. You know you are in for a treat right away when Shreya Ghosal sings for Rahman. Anwesha Datta, the other vocalist has come a long way from her first reality show, 4 years ago. Her mellifluous voice along with Shreya's is a delight to listen to. They pull off the difficult phrases gracefully together. This is that song of a Rahman album that grows on you on repeated hearings. Thumbs up again!

Right into business with electronic drum beats and piano backing is Piya Milenge. The swaras remind one of Yaakai Thiri, the true fan would go GaGaSa after NiSa. Tabla beats soon follow to give this song a 'fusion' feel. Sukhwinder Singh is brilliant on the vocals, never has he not been. The KMMC Sufi Ensemble performs splendidly. The fast swaras backed by a violin piece are the highlight of the song. The Sufi-fusion sounds like a transformation song of sorts for the hero. Pick of the album. And yes of course, Thumbs up! 

Ay Sakhi rendered by Madhushree, Chinmayi, Vaishali and Aanchal Sethi is the next song of the album. It takes the route that Banarasiya from the same album does. You wonder if it was Sadhana Sargam you just heard, for a moment. Vaishali or Aanchal it was. Vocal interludes are interesting and unique. The song is probably meant to work on screen. 5 or 6 hearings and the typical fan isn't impressed yet. 

Nazar Laaye begins with an acoustic guitar piece in western style and stays true to its beginning all through unlike the other numbers. Rashid Ali renders with a husky voice. Neeti performs aptly. It is that light hearted romantic number that every Bollywood romance has. So call it the "breezy romantic number"? Fine. Thumbs up? Nah, for the song doesn't offer anything new. Such is the benchmark Rahman creates.

Tu Mun Shudi commences with techno beats. Rahman does the vocals along with Rabbi (of Challa fame). Rabbi's deft rendition lifts the song up. The refrain Hamse wafeiyein na appeals to the listener quickly. The phrase Tu Mun Shudi feels out of place for a moment initially but soon merges in well. 

Rahman goes jazz. Aisa na dekho is rendered by the composer himself. The 'Indian listener' feels the weirdness of the genre instantly. Give the song repeated hearings just the way you did to Rehna Tu from Delhi 6. The song is a potential trendsetter. The tiny jazzy accordion interludes fit in perfectly, sublimely adding to the grace of the song. The song was meant to be sung by A R Rahman for only he can interpret some of his compositions. Thumbs up!

The Land of Shiva is an instrumental song. Live Aarti chants recorded by the director while shooting have been incorporated in this song (source : wikipedia). The Udukkai beats are energetic. The one minute piece sounds spiritual as the name suggests. The song is probably part of the BGM. 

The Javed Ali - Rahman duo has never disappointed. The album touches its highest point in its final song. Like three other songs in the album, the song is quick to take the classical route. This is the song where the hero starts going behind his girl. Javed Ali's rendition is spot on. Keerthi and Pooja, the other singers of the song do their parts well. The tabla beats keep up the spirit of the song all through. There are no dull moments in this song, for it has the Rahman flavour right from the word go. The song, released as a single a month before the album's release, is topping the charts already. Thumbs up!

At the end of the 38 minute album, you only wonder how this man pulls it off every time. The music is definitely a high point in the movie.
If Rockstar proved Rahman's prowess in the western genre, Raanjhanaa does in the Indian classical genre.
Raanjhanaa has all the makings of a super hit album.