Sunday 14 May 2017

To the sky and beyond

While I do not see the point in sharing one's personal experiences with the world without reason, I believe that it is a must when there's a learning and greater good associated with it.

Just like most others would feel about their mothers (at least on this day), I feel everyday. My mother's love is unconditional and the sacrifices are immeasurable. Looking back, every aspect of my life is what it is is because of my parents, and I only have to thank them. This is not to place my mother on a pedestal because it happens to be mother's day. This is rather to remind myself of a feeling that doesn't hurt to share anymore.

When I recollect childhood memories that I associate with my mother, I visualize my mother elegantly draped in cotton sarees as she left for work. I waited excitedly for her to return and she occasionally surprised me with cake from McRennett Bakery. She drove (and still drives) her scooter to work with her head held high, not realizing that she inspired people around her. She celebrated festivals with infective enthusiasm but was let down when I didn't emulate as much. I loved her the way she loved me intrinsically, but she expressed it in a manner in which I simply couldn't (and to this day, can't). My list of memories is unending, but why does it matter?

My mother used every opportunity to stress the importance of cleanliness - wash the plates, clean your hands, change the bed sheet, dust your shoes outside the house, open the windows, clean the fan. She often conveyed messages through songs from her time. For instance, she was particularly fond of waking me and my sister up with a song that goes nalla pozhudhai ellam thoongi keduthavargal naatai keduthathudan thaanum kettar (people who spent all their time sleeping spoilt not just themselves, but the nation as well). Yes, the best motivation song ever. When I was unwell and found it tough to sleep, she sat beside me and waited till I fell asleep. As a mother, she knew what her kids needed and she never failed to give everything that she could.

Her job requires her to interact with customers from around the area and she often shared with us stories of illnesses her customers underwent and felt sorry for them, they took comfort in sharing with her. It was clear that she could apprehend the preciousness of the gift that an illness-free life is. Towards the end of my Bachelor's degree, she occasionally complained of throat pain and examined her slightly swollen throat. She took immense care of her health and she refuted the idea of having an illness herself.

The doctors warned her of a "worst-case" scenario that started worrying her, but didn't stop her from singing her message-intensive songs, she never gave up on her routine. Over time, she lost weight and doubted her illness more, but she kept herself too busy to worry by attending yoga and music classes every evening after work. Meanwhile, she made it a point to stay away from the doctors because she loved her life too much the way it was.

A couple of days before our planned family visit to Srinagar, there were news reports of shooting happening in the location. Our trip was now doubtful. Later that evening, I collected a medical report for one of my mother's tests from the hospital. Our trip was now canceled. The report suggested that it was now more probable that she had an illness that the world in all its glory still hasn't found a cure for. I remember that she continued to refute the idea but I could discern that the possibility hadn't slipped her mind, she had given some thought to it. I had an emotionally-strong sister to talk to and my father started to realize that he had to rise to an occasion that was rather uninvited.

Different doctors had different ideas, but each of them suggested that cancer was the least probable of the possibilities. With roughly ten days left for my departure to the US for my higher studies, we were at the doctor's cabin. A surgery was now a necessity according to the doctor, but with my big day just a few days away, there were questions about the urgency. My mother agreed to have the surgery done as early as possible because for her, it was important that I left with a peaceful mind. As she was brought out from the surgery hall, my father asked the doctor what he felt. He remarked that it could be Tuberculosis and at that moment, it relieved us because we didn't want to associate ourselves with the "worst".

I hugged my mother before I left and as the flight took off, tears rolled down my face. The medical report was not out until I had reached my new home. When the report was out, we didn't have a reason to rejoice. Within the next two weeks, her first chemotherapy session was scheduled and she faced it with all her might. When I made my video calls to her, she only found reasons to smile and never complained about her illness. I could imagine that it was demanding task for my father and sister, especially without me around. When I had a job interview or an important meeting to attend, she made it seem more important than her illness. She continued to refute, not the idea of having the illness but of having it consume her. She empowered herself instead and let herself fight this battle with grace and might. Whenever she spoke to me, she credited my father, my sister and my brother-in-law with taking care of her and for helping her get through this difficult time.

She watched movies during her chemotherapy sessions and continued to ask me to change my bed sheets. When I went home during my semester break, she woke me up with the same old motivational song. Her last chemotherapy session was due on my birthday and I stayed with her on that day, watching a movie in the hospital. When she reached home that evening, her emotions were rather restrained and she didn't seem overwhelmed by the ordeal. She simply played around with her grand daughter, the only one in the family oblivious to the circumstances; it seemed as if it was nature's intention.

I waved yet another emotional goodbye and left to my university later that week. She continues to go to work draped elegantly in saree, attend her music and yoga sessions, visit her friends, trouble me to cut my hair, go on her trips and sing her same old wise songs. Her courage fuels her desire to live life her way against all odds, to the sky and beyond.  And oh, remember the trip to Srinagar that we had to cancel and you assumed that you understood the reason behind it? Well, as I said, it was because of the shootings in the location. We should plan another visit to Srinagar soon.



Saturday 4 February 2017

Tune Talk #1

Welcome to my new series of articles called Tune Talk. Finding the right song for the right moment has always been a challenge and a compelling one, at least for me. I constantly challenge myself to stay away from the technology-overpowered, chart-topping junk often typified by high popularity and gravely low musical value. If you seek depth and a sense of relation with the music that you associate with, I'm going to introduce you to the music that triggers the abstract in me and transitions me into moments of rapture. Here's to the underrated, string-heavy, slow, creative and impassioned melodies that I'm fond of.  

The focus will be on songs, predominantly in Tamil and Hindi, that are relatively new, not-so-popular (or maybe so, in some cases) but exhibiting high musical value and depth, based on a highly personal but hopefully relatable definition, with constant digressions into my journey with the song over time (think in lines of a song-graph). To every listener out there, I recommend you have an open mind and I wish you happy listening!

#1
The mystic piano chords, accompanied by a short flute introduction sets the stage up for Kashif Ali's stupendously measured vocal rendition in Shamaan Pai Gaiyaan, a composition from right across our border, Pakistan. He's lost in love and asks "Whose shoulder should I cry on?". The song constantly carries an abstract flavor as it meanders along into a soothing string-and-flute interlude. The background vocals are delicately woven into the second stanza, delivered in beautiful fashion by Kashif Ali. The drums kick in right on time to begin the second interlude, setting it up for Rachel Viccaji, as she lyrically addresses her better half's anxiety about life and its permanency. After transitioning into a rock-based third stanza, Shamaan Pai Gaiyaan returns to the wonderfully-orchestrated string-heavy fourth stanza, as Kashif Ali goes Kise Noon Ki Kahna Yaari. The genius of the song lies right here, with the guitars kicking in once again as Rachel Viccaji answers his questions. The song ends on an unpredictable note and lyrically goes "There's simply no trusting which moment might be our last."

Best moments: 2:27, 3:14, 3:24, 4:50, 5:10, 5:24



#2
The next not-so-popular song on my list from a fairly recent and popular Tamil movie, is significantly different in genre, form, intent and musicality. It is hard to judge the kind of song Kannamma turns out to be after its Nadaswaram introduction. The song features all of Imman's signature features - the mandatory odd note in the Charnam and the brief pause in the percussion track, all working in its favor. Nandini Srikar's vocals exuberate pathos and mellifluously compliment the rustic-tune-on-modern-orchestraton set-up. In the phrase paalnila unkaiyile.., Imman exhibits sheer brilliance. Though frequently reminiscent of Ilayaraja's compositions, Imman displays passion in his rustic melodies and brings out a sound that he truly owns credit for. This song will go down as one of his best and one of my favorites, for the feeling I have begun associating with the song over time.

Best moments: 1:44, 2:48, 3:24



#3
Bombay Jayashri uniquely begins the Thyagaraja-composed Carnatic kriti Mokshamugaladha with the anupallavi (the second stanza). Her blissful vocals sit splendidly over a creatively laid out symphony orchestra track, that is pretty much sure to give you goosebumps halfway into the song. Classical fusion tracks, as many bands have made them out to be, often tend to sound rebellious and deliberately "different". Part of the reason behind our fascination towards a certain piece of art is the intent behind it. The intent forms the root of the tree the piece of art turns out to be, in its complete form. The idea of complimenting a Carnatic composition with delicately tailored western orchestration is the intent behind and the beauty of the song. Watch out for the best moments.

(The video contains the entire album. The song begins at 30:06.)
Best moments: 30:06, 34:30, 35:07



More to follow next week. Till then, happy listening!